Born in Milan in 1992. After graduating in Design from the Politecnico di Milano and gaining various experiences in the communications sector, he continued and deepened his contemporary dance studies through stints with national and international companies and workshops with choreographers from around the world. He has participated as both a dancer and choreographer in numerous festivals and galas, including events in Bremerhaven and the TanzArt festival in Giessen. Since 2019, he has focused on the production *La Morale degli Schiavi*, winning first place in the emerging company category. He choreographed the performance *Inconsistent Systems* for the opening of the 34th Mix Festival in Milan. In 2021, he secured a Black Box residency at the Balletto di Siena, where he staged the initial study for *Caleidoscopio*. In 2022, he created *This Is Not a Chair*—a story about pigs, apples, and souls—for the Balletto di Firenze. That same year, he was selected for Solocoreografico Frankfurt, where his work *Shadows Inside* garnered great acclaim. In January 2024, he performed the initial study of *Hinterlands: How to Look the Part* by Vittorio Pagani at The Place in London during the Resolution 24 festival. In May 2025, as part of the theater season at Milan’s Teatro Carcano, he staged the production *Se Cade Un Albero*, created with dancers from the FormazioneTAM training program. In January 2026, he presented a full-evening contemporary reimagining of *Carmen* as part of the Teatro Carcano’s 2025–26 season, receiving widespread critical acclaim. From 2025, he has served as Artistic Director of FormazioneTAM, the contemporary professional training program within the Accademia Ucraina di Balletto.